New & Noteworthy Audiobooks, From ‘The Office’ to Eating Well

New & Noteworthy Audiobooks, From ‘The Office’ to Eating Well

THE OFFICE: The Untold Story of the Greatest Sitcom of the 2000s: An Oral History, by Andy Greene, read by a full cast. (Penguin Audio.) A Rolling Stone writer goes behind the scenes of the NBC series that ended in 2013, with input from the creators, cast and crew.

SAVE YOURSELF: Essays, by Cameron Esposito, read by the author. (Grand Central Publishing.) The stand-up comic — who as an awkward, gender-nonconforming child dreamed of becoming a priest — relates her hilarious and heartbreaking coming-of-age as a Catholic, closeted lesbian.

YOU ARE NOT ALONE, by Greer Hendricks and Sarah Pekkanen, read by Dylan Moore and Barry Kreinik. (Macmillan Audio.) The latest psychological suspense novel from the authors of “The Wife Between Us” stars a directionless, solitary woman involved with sisters who seem to offer a gateway to perfection.

IN FIVE YEARS, by Rebecca Serle, read by Megan Hilty. (Simon & Schuster Audio.) A New York City lawyer and perfectionist who is all too sure of her future, Dannie wakes up one morning to find nothing has turned out as planned.

HOW TO EAT: All Your Food and Diet Questions Answered, by Mark Bittman and David Katz, read by Robert Fass. (Houghton Mifflin Harcourt.) A food writer and a Yale doctor deliver straightforward principles to eat and live by.

I’ve been following Joanne McNeil’s writing about technology for some time, and now I’m reading her new book LURKING: How a Person Became a User. The internet is an elusive subject — it feels both vast and familiar at once — and I’m always puzzling over how exactly to capture it in my own writing. McNeil approaches the social web through a kind of personal history, tracing her journey out of the walled gardens of AOL and into the wilds of online experience that would soon be bulldozed by corporate power. Hers is also a book that feels eerily like the internet itself, flowing between subjects and time periods, pausing to chat with interesting figures or turn over glittering insights along the way. This sensation — reading the internet in a book — is both illuminating and a little unsettling. I’ve found myself flipping between McNeil’s pages and my phone (a bad reading habit of mine) and feeling not quite sure where one medium ends and the other begins.

—Amanda Hess, critic at large

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